About
I have studied ceramics since about 1990, but embarked on a degree course at Bath Spa University in 2001, graduating in 2004.
After that, I was privileged to work as a ceramics technician on the same degree course, specialising in plaster work, but enjoying swapping roles with other technicians throughout the department.
During this time I have continued to develop my decorative and functional work in my Bristol studio.
I specialise in making decorative plates and platters using an earthenware body covered with colourful glazes, carefully trailed onto the work.
The inspiration behind my work seems to have been a fascination with the two-dimensional depiction of three-dimensional form, but on the grand scale of the cartographer or geologist, having originally trained as a geographer. Differently coloured glazes are carefully trailed and juxtaposed over the large surface areas of platters and plates, with particular attention to line and containment. The firing process softens line, producing a more dynamic visual effect, echoing some of the amazing revelations encountered when the natural world is 'cut open' by mapping, or with a rock hammer. Functionality of the form pays homage to the simple origins of early ceramic forms in the found natural object.
My other work involves the use of earthenware, stoneware and porcelain clays to make a variety of thrown, slip-cast and jigger and jolley works, primarily for practical use. This includes vases, bottles, bowls and drinking vessels. Glazing may be strongly or subtly coloured depending on the form and body used.
After that, I was privileged to work as a ceramics technician on the same degree course, specialising in plaster work, but enjoying swapping roles with other technicians throughout the department.
During this time I have continued to develop my decorative and functional work in my Bristol studio.
I specialise in making decorative plates and platters using an earthenware body covered with colourful glazes, carefully trailed onto the work.
The inspiration behind my work seems to have been a fascination with the two-dimensional depiction of three-dimensional form, but on the grand scale of the cartographer or geologist, having originally trained as a geographer. Differently coloured glazes are carefully trailed and juxtaposed over the large surface areas of platters and plates, with particular attention to line and containment. The firing process softens line, producing a more dynamic visual effect, echoing some of the amazing revelations encountered when the natural world is 'cut open' by mapping, or with a rock hammer. Functionality of the form pays homage to the simple origins of early ceramic forms in the found natural object.
My other work involves the use of earthenware, stoneware and porcelain clays to make a variety of thrown, slip-cast and jigger and jolley works, primarily for practical use. This includes vases, bottles, bowls and drinking vessels. Glazing may be strongly or subtly coloured depending on the form and body used.